Page 11 - M F Husain The Eternal Master
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further shape his intricate and symbolic representation of
 horses in his paintings.
 Husain’s  artistic  inclinations  led  him  to  dabble  in
 various odd jobs, but his father recognised his son’s talent. To
 encourage him towards a more sustainable career, his father

 even gifted him a camera. However, painting remained
 Husain’s true calling. During the day, he would cycle through
 the countryside to make landscapes and would sketch scenes
 from films during the night. This experience of on-the-spot
 and sketching from memory helped Husain develop good

 retentive skills. It was during one of these field trips that
 Husain witnessed artist N.S. Bendre painting en plein-air.
 Husain with his daugther Aqueela (centre) and grandchildren Khadeija,   Bendre was then already known and respected as a painter
 Rakshanda, and Ali Hasan
 in Indore. He was also teaching at the Indore School of Arts.
 Husain was fascinated by Bendre’s technique, colours

 and rural motifs. He started accompanying Bendre on his
 journeys and this is how Maqbool found his first mentor.
 Bendre also recognized Husain’s extraordinary talent and
 convinced his father to let him pursue art.
 Around  1932,  Husain  enrolled  in  evening  classes  at
 the Indore School of Arts but spent just about a year there.

 While his time there allowed him to refine his skills and
 understanding of the mediums, he also began to realise
 that painting was not merely a matter of creating lifelike
 images. He discovered that painting was a portal to a world

 that transcended words, enabling artists to communicate
 their emotions and ideas intuitively. But this was only the
 beginning of Maqbool Fida Husain’s remarkable artistic
 odyssey, one that would take him on a path of exploration,
 innovation and international acclaim.


 BEGINNING IN BOMBAY


                                           Husain at Pundole Art Gallery with the painting Spider and the Lamp
 A year after leaving the Indore School of Arts, Husain joined
 A photo of Husain with his wife Fazila  the Bombay’s Sir J. J. School of Art in 1934. Yet this promising



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