Page 18 - S H Raza Retrospective Catalogue July 2020

during it And the give his with executed don’t were in arrived of gives artistic visual intriguing the in forward The etches those, imperceptible defined, the from beyond the his By very simple means, I am convinced One can attain infinity! S H Raza 17

journey perception.” to Raza through Leafing experimenting studies studies forms palette clarification what is this Raza’s H the of an denounced cosmos. tacitly forces, life- and well a resonates wafts appeasing through 8. Quoted in Dalmia, Modern Indian Art, 37. 12. Sen & Raza, Bindu, 54. 22. Germain-Thomas & Raza, Mandalas, 19. 28. Selections from his notebooks have 29. Sen & Raza, Bindu, 113.

unexpected highest enabled form.” him r—preparatory these yet canvases, final vibrant This image. and intuitive, S into paradigm very encounter we which ne progressed the of pantheon, perennial delicate works, the frequency frequency is hereby sight, binary sensory of one’s soul. And this very ability, to intergalactic showcases S H Raza’s artistic adroitness. 1. Geeti Sen and S. H. Raza, Bindu: Space and Time in Raza’s Vision, 3. Quoted in Yashodhara Dalmia, The Making of Modern Indian Art 6. Ibid, 69. 15. Quoted in Ibid, 67. 20. Quoted in Ibid, 76. 26.

an “the that logic” find And the more final is deeper the journey.O and static reflection visual the most Th our the of | 5. Ibid. | | | 24. Sen & Raza, Bindu, 83. |
has is “significant can colou resemble a the rs them their significant form. 29 created; established of the studying omnipresent lines. of glimpse (New Delhi: Media Transasia Limited, 1997),126. 2. Germain-Thomas & Raza, Mandalas, 16. (New Delhi: Oxford University Press, 2001), 42. | | 10. Quoted in Ibid, 43. 14. Ibid, 56. 17. Ibid, 57. 18. Germain-Thomas & Raza, Mandalas, 17-18. |
all, intuition “inner a one intuitively. clarified, with colou delve within he earthy the in While the conundrum 11. Sen & Raza, Bindu, 45-46. | | 19. Sen & Raza, Bindu, 57. | | 27. Sen & Raza, Bindu, 106. been reprinted in Vistaar, 152-171.
after is th journal, 28 and and we universe, palpable of of presence exists of a Mohit Manohar 4. Quoted in Ibid, 43. 7. Quoted in Ibid, 46. | 13. Ibid, 55. 16. Ibid, 56. 21. Quoted in Ibid, 75. 23. Ibid, 57. 25. Ibid, 85.

Art, which was painting shape freely, precisely further course forms As language and lure search master’s the that state. almost surface the unravel work, Notes: 9. Ibid.

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Kundalini, 24 x 24 in, Acrylic on canvas, 1998 Untitled, 24 x 20 in, Acrylic on canvas, 2000