Page 17 - M F Husain The Eternal Master

from his earlier innovations in cinema-hoardings, he began sharp corners and sought to create a fairy tale world by
to introduce themes from Indian villages and folklore. incorporating classical Indian motifs, such as the lotus.
Cupboard doors resembled the entrances to huts, and Subsequently, he also created wooden toys, applying
stories from the Panchatantra, the Indian classic of parables, his unique vision to bring joy and imagination to children’s
adorned the furniture. These imaginative interiors, depicted play. While he had made a name for himself as a nursery

in watercolour on paper, exuded flamboyance and creativity. furniture designer, his heart continued to beat to the
Husain, always concerned for children’s safety, eschewed rhythm of artistic expression. Throughout his years painting
hoardings and designing nursery furniture and toys, Husain
remained undeterred in his pursuit of creative expression. He
attended art exhibitions, devoured books, studied paintings

from reproductions, and, like a dedicated classical musician,
practised his craft diligently. His passion for cinema persisted,
and he frequently watched films, both Indian and foreign.
This appreciation would eventually serve as a vital thematic
source for his art in later years.

PROGRESSIVE ARTISTS’ GROUP ASSOCIATION

1947 - a year that resonates through history, not just for the
birth of an independent India, but as an epochal chapter

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