Page 27 - The Arts Trust Souza The Centennial
P. 27

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                                                acrylique





 restrained yet thoughtful use of colours for   wiping Jesus’ face on the  way to Calvary
 this period. A subtle yellow shade fills the   into a conceptual work.   sur toile
 background, dominating the composition   This transformation suggests that while
 and suggesting the dispelling of darkness   the artist fades away, nature evolves, and
 and dark thoughts. Souza likely painted   life shifts, the image endures as a powerful
 this piece while in a happy state of mind.  force of art, capable of transcending   et planche
 In the 1987  work titled  Etruscan   temporal boundaries.  This  work offers
 Group, Souza draws inspiration from the   viewers a contemplative space  where
 illustrious Etruscan civilisation, which once   the intersection of classical symbolism
 controlled the Italian peninsula before the   and modern expressionism unfolds in a
 rise  of  Rome.  Flourishing  between  the   mesmerising dialogue with the eternal.
 8th and 3rd centuries BCE, the Etruscans   Francis Newton Souza passed away
 remain enigmatic due to the lack of   in 2002 while visiting Mumbai. His legacy
 surviving literature and historical records.  extends  beyond his  paintings.  He  was  a
 Still  Life  with Veronica’s Veil  and   prolific  writer and critic, penning essays
 the  Accoutrements of Christ’s Passion   that articulated his  vision for modern
 reinterprets classical  imagery such as   Indian art. His works are held in prestigious
 Veronica’s  Veil and the  Accoutrements of   collections  worldwide, including the  Tate
 Christ’s Passion within the unconventional   Gallery in London and the National Gallery
 setting of a still life.  This approach   of Modern Art in New Delhi. Despite facing
 challenges the simplicity of the still-life   criticism and controversy throughout his
 genre and subverts audience expectations.   career, Souza’s contributions to modernist   oil and acrylic on canvas and board
 The  painting  becomes  a  dialogue  art remain influential, cementing his place
 between the artist and the transcendent,   as a seminal figure in the narrative of Indian
 transforming the narrative of  Veronica   and global art history.



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