Page 27 - N S Bendre - Selected Works 1935 - 1991
P. 27

The artist icon:
                                                                                             K K Hebber’s portrait of
                                                                                              Bendre, a 1960 oil on
                                                                                              canvas (21.5 x 16.5 in),
                                                                                                 presents the artist
                                                                                                   as a cherished
                                                                                                        subject















 gathering fruit in a similar figurative   rich  in  emotions  and  beauty.  The  landscape
 style. Executed with a brilliant   works of this period are also exceptional. They
 treatment of light and colour, the   acknowledge his years of expertise in capturing
 work showcases Bendre’s successful   natural vistas in extraordinary hues and the use of
 assimilation of varied elements to   pointillist technique effectively renders texture to
 simplify his figures and surroundings   tree trunks, foliage in fields, leaves on trees, and
 down to their essential forms. Except   even the ruggedness of the earth. A beautiful 1975
 for the finely-woven basket at their   work showcases a charming Kashmiri landscape,
 feet, the work offers no details or   possibly drawn  from  Bendre’s  recollections  of
 outlines. Instead, he relies on his   springtime in the valley.
 skilful handling of light and shadow   In the 1980s, Bendre’s exploration of
 along with the use of pastel tones to   Kutch and Kerala emerged as prominent
 render the background in a somewhat   themes. In Kutch, he made several studies of
 blurred and Impressionistic feel.   women and his depictions of cows, people, and
 In a 1974 work, Bendre captures   desert vistas showcased the essence of India’s
 the enduring beauty of maternal love   countryside and the communities inhibiting
 with the utmost simplicity of form and   them. On the other hand, in Kerala, the tropical
 refined stylisation. The mother sits   richness of flora, fauna, palm trees and expansive
 gracefully looking at the child with   beaches  became  his  muse.  In  addition,  he
 an affectionate gaze, while the child’s   kept pushing his own boundaries in terms of
 endearing gesture  reflects the  gentle   application of technique.
 sensitivity of the composition. The soft   Bendre’s  vast  oeuvre  has  continued  to
 pale yellows and blues with delicately   transcend the boundaries of changing times
 blended tones and the abstraction of   and generations. Even as he charted his path
 the background accentuate the focus   with a constant cycle of learning and unlearning
 on the figures, and evoke a sense of   to evolve his style, what never wavered was his
 calmness for the nurturing scene.   commitment to bringing the essence of Indian
 The theme of mother and child was   life in all forms on his canvas. His legacy is not
 a  very  dear  subject  for Bendre, and   just a chronicle of personal artistic success but
 he created many masterful canvases   lives on as a treasure in the history of modern
 showcasing this eternal bond.  Indian art. The master artist continued to paint
 While his works from the 1970s   until his passing in 1992.
 are less stylised than those from his
 earlier period, they are, nonetheless,   ~ Anandita Bhardwaj



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