Page 23 - M F Husain The Eternal Master
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on its journey of independence, Husain embarked on a   beginning, and the world was about to witness the birth of a   fascinating evolution in his style, marked by a profound shift
 parallel odyssey of artistic self-discovery. It was a time when   creative genius whose brilliance would illuminate the world   in subject matter, technique, and global artistic inspiration.
 the boundaries of tradition were being pushed, and Husain   of art, and who would emerge as a titan of modern art.  As the dust of partition settled, Husain was searching
 was at the forefront of this revolution.  for a way to express his national identity without resorting
 Husain’s early years in Bombay were a testament to his   THE 1950s & BEYOND  to aggressive proclamations. He discovered his answers

 unwavering determination, his relentless pursuit of artistic   in the simplicity of rural and tribal life. These humble,
 excellence,  and  the  audacious  belief  that  the  pavement-  The 1950s marked a pivotal decade in Husain’s career, during   unassuming people would become the dominant themes of
 dwelling  youth  from  Pandharpur  was  destined  to  become   which  he explored  a  multitude  of influences,  both from   his artistic creations during the 1950s. The artist’s connection
 one of India’s most iconic painters. His journey was  just   within India and beyond its borders. This period witnessed a   to these people ran deep, and his work reflected a profound
                  admiration for their resilience and culture. During the 1950s,

                  Husain’s horizons expanded even further as he had the          Husain with actor Dilip Kumar
                  opportunity  to travel  extensively  outside India.  In 1952,  he
 Mrs. and Mr. Husain
                  journeyed to China, where he met the Chinese artist Chi Pei
                  She, a man with 90 years of artistic wisdom. This encounter
                  provided Husain with a unique glimpse into Chinese artistry.

                       In 1953, he ventured to Europe, coming face to face
                  with European art, which had previously been limited to the
                  pages of books. His travels took him to France, Switzerland,
                  and  Italy,  where  he  had  the  privilege  of  viewing  original
                  works by masters such as Emil Nolde, Paul Klee and early
                  Renaissance  painters  like  Cimabue,  Giotto,  Masaccio,

                  and Uccello. Of all the artists he encountered, Husain was
                  particularly captivated by the work of Paul Klee.
                       Husain’s exposure to the works of Cezanne and Matisse     Husain with actor Shah Rukh Khan
                  was also crucial. Cezanne’s emphasis on composition

                  and structure provided Husain with a fresh perspective,
                  while Matisse, who drew inspiration from Japanese prints,
                  deepened his appreciation for bold hues and the use of flat
                  colour areas to enhance expressiveness.
                       The encounter with Picasso, the reigning master of
                  modern art, was equally significant. Although Husain was

                  not drawn to Picasso’s vision, he recognized the new language
                  of modern art that Picasso had created. The distortion of
                  form in his work opened Husain’s eyes to immense creative
                  possibilities. However, it is essential to note that while     Husain with actress Madhuri Dixit



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