Page 26 - M F Husain The Eternal Master
P. 26

Husain with family and friends                                  Husain (centre) among friends. From left  to right: Bal Chhabda, Farhad Jamal
                                                                                                                                                                                                                                            and Owais Husain





                                                                                                                                                                            obscurity into the limelight of the Indian art scene. His first

                                                                                                                                                                            solo exhibition in Bombay in 1950 was a significant milestone,
                                                                                                                                                                            followed by another show exploring rural life in Calcutta,
                                                                                                                                                                            which was met with severe criticism. This was followed
                                                                                                                                                                            by another exhibition in Delhi, which was successful and
                                                                                                                                                                            helped Husain’s career gain momentum.
                                                                                                                                                                                  In 1951, his art was also exhibited in Paris at the Salon

                                                                                                                                                                            de Mal, and two years later, he participated in the prestigious
                                                                                                                                                                            Venice Biennale. In 1955, Husain was honoured with the
                                                                                                                                                                            National Award from the Lalit Kala Akademi. The same year,      The artist with Queen Elizabeth II, during his exhibition
                                                                                                                                                                            he showcased his work in Brazil at the São Paulo Biennale

                                                                                                                                                                            and won an award at the Tokyo Biennale.
                                                                                                                                                                                  By the end of the 1950s, Husain had established himself
                                                                                                                                                                            as a major artist, both in India and on the global stage. His
                  background character seemingly disconnected from the           minimal emphasis on the social environment and natural                                     confidence in his skill and vision was unwavering, and he
                  rest. The painting’s effect was one of solidity punctuated by   surroundings. Nature rarely featured in his works during                                  was prepared to embrace the urban world with the same
                  mystery, conveying togetherness without communication.         this period, with a few exceptions, such as his paintings of                               fervour he had demonstrated in his depictions of rural India.

                  (Years later, in 2000, he would paint another work with the    Kerala in 1967. Nonetheless, during a visit to Prague in 1956,                                   Movement, balance, and strong, rhythmic lines became
                  same title.)                                                   Husain indulged in landscapes and cityscapes, showcasing                                   the defining elements of Husain’s artistic expression. These
                       During the 1950s and 1960s, Husain’s aesthetic            his continued fondness for this genre.                                                     features brought life and energy to his works, and they would
                  predominantly revolved around the human figure, with                 The 1950s marked Husain’s emergence from relative                                    continue to play a significant role in his evolving artistic style.   Husain with industrialist Lakshmi Mittal, Mrs. Usha Mittal and Yogesh Mehta



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